![]() ![]() “Blur” is the fastest song the band have penned in quite a while: That doesn’t mean you should expect “Deadbolt”-like fretwork, but it is an impressively aggressive number with a surprisingly fragile interlude. “Blinded” is propelled by Riley Breckenridge’s reliable stickwork and some seriously insane, otherworldly guitar tones from Teppei Teranishi. Thrice refuse to shy away from their hookier tendencies, though-the 6/8-time “Anthology” is a major-key rumble with thick, open chords and screeching guitar leads accompanying Dustin Kensrue’s fiery bellow (“And it’s true that you could snap my neck/But I trust you’ll save my life instead/’cause our love is a loyalty sworn”). ![]() ![]() Whereas 2009’s Beggars was a thrilling shot in the arm after the somewhat spotty Alchemy Index EP series, Major/Minor builds on that album’s live, loose feel and cranks up the rock factor significantly, while also recalling some of the more progressive, darker moments of 2005’s Vheissu (the Rhodes piano-assisted “Listen Through Me” and power waltz “Call It In The Air”). Now only a few hundred days away from celebrating their 15th anniversary, the band have delivered their eighth full-length, Major/Minor-and it is as exciting and enthralling a listen as anything Thrice have ever created. Given their armor-plated resiliency to changing musical tides, the wax-and-wane of popularity and the ever-entitled youth culture which demands everything be free and given to them at once, it’s pretty safe to say that there are only three givens in life anymore: death, taxes and Thrice. ![]()
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